In March, a video of the comedian Tig Notaro singing it on a party bus alongside a crew that included Glennon Doyle, Abby Wambach and Sarah Paulson blew up online. “Closer to Fine” recurs in the film three times and appears in its official trailer, but it’s been recirculating in pop culture organically, too. Ray called it a gift: “It’s just absolutely wonderful that they’re using it.” It was a complete surprise to me and Amy.” “But as it turned out, it’s in the hands of Greta and it’s just this amazing thing that happened. “I didn’t know who was directing it or anything, and I was like, ‘Oh, this is about Barbie? We better check to make sure this is kosher,’” she recalled. Still, given little context in an initial call from their manager, Saliers said she was nervous. A “Closer to Fine” cover by Brandi and Catherine Carlile appears on the expanded edition of the movie’s soundtrack. The Indigo Girls have a similar hope for “Barbie,” already a global phenomenon with powerhouse marketing and intergenerational brand recognition. “Those kinds of things are just invaluable for an artist.” “I think it was really important at that time for us to reach more people,” Ray said in a phone interview.
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They don’t allow commercials, but have had successful soundtrack and onscreen placements in films like “Philadelphia” and TV shows including “The Office” and “Transparent.” In 1995, the duo starred as Whoopi Goldberg’s house band in the movie “Boys on the Side.” Ray said “Closer to Fine” represents 80 percent of the band’s licensing, but the duo are generally told very little about how their music will be used. “When you get to a chorus of a song that you’re into and you can just sing it at the top of your lungs, I think just structurally, melodically, it’s really a road trip song and I think that’s why you see it in those kinds of scenes.” “It’s got a very easy melody and really easy chorus, and the chorus repeats,” Saliers said. “Indigo Girls,” their first album for a major label, went double platinum and won a Grammy. “Closer to Fine,” with its four-chord verses, octave-jumping chorus and slightly inscrutable lyrics, has been a staple of dorm room singalongs, karaoke excursions and car rides for years, and it is the Indigo Girls’ most identifiable tune. It’s a song about seeking, Saliers said by phone this month: “I searched here and I searched there, and if I just try to take it easy and get a little bit of knowledge and wisdom from different sources, then I’m going to be closer to fine.” It became a staple of the Girls’ live show that spread thanks to college radio play and an opening slot on tour with another Georgia band, R.E.M.
Emily Saliers wrote the song after she and her fellow singer and guitarist, Amy Ray, graduated from Emory University in Atlanta and were regularly playing a local bar called the Little Five Points Pub. The Indigo Girls, a folk duo from Georgia who have released 15 studio albums since 1987, featured “Closer to Fine” as the opening track on their self-titled 1989 LP. “There’s more than one answer to these questions, pointing me in a crooked line,” she sings with a smile, before thrusting a manicured pointer in the air.īarbie’s song of choice on her way to the Real World is the Indigo Girls’ “Closer to Fine.” To resolve this disruption to her otherwise perfect life, she hops in her pink Corvette and belts along to a track filled with strummed acoustic guitars and close harmonies. That is, until Margot Robbie’s “stereotypical” Barbie cues a record scratch with a rare and shocking existential query: “Do you guys ever think about dying?” In Greta Gerwig’s Barbieland, where every day is the best day ever, pop stars like Lizzo, Dua Lipa and Charli XCX provide a bouncy soundtrack as the live-action dolls go about their cheery, blissful lives.
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